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Painting Zhostovo trays for children. Zhostovo painting. Step by step drawing pictures for children. Zhostovo painting coloring for beginners, picture

Decorative and applied art of the peoples of Russia - business card our country. Among folk crafts, Zhostovo painting occupies a special place, striking in its freshness. flower arrangements, as well as the purity and delicacy of the color scheme.

Development area

Zhostovo painting got its name from the place of origin and production. Metal trays painted with floral arrangements originated in the Moscow region. Their homeland was the village of Zhostovo near Mytishchi.

The predecessors of Zhostovo painting were paintings on trays, which arose in the mid-18th century in the Urals, not far from the location of the famous Demidov factories. Only in the first quarter of the 19th century, the former serfs, the Vishnyakov brothers, who had bought themselves out of dependence and had accumulated a small capital, opened their workshop in the village of Zhostovo. And a little later, the fishery began to develop in other villages near Moscow. Gradually, the Zhostovo workshop became a leader in the industry.

The Vishnyakovs were miniaturists, and therefore they painted not only trays, but also boxes, cigarette cases, teapots, albums and other household items. Osip Vishnyakov went to sell goods in Moscow and gradually saved money with which he was able to rent a shop on Tsvetnoy Boulevard. A special demand for Vishnyakov trays arose with the spread of tea drinking traditions in Russia. They were used as trays for samovars.

At the beginning of the 20th century, interest in folk crafts fell, and therefore, at the end of the 30s, scattered artels in neighboring villages and in Zhostovo had to unite. As a result, an entire factory for decorative painting of metal trays was opened - “Metal Tray”. And since 1960, the Zhostovo decorative painting factory saw the light of day.

Stages of product creation

From the beginning to the end of the production of the product, the process of creating Zhostovo painting goes through a number of stages:

Making a tray of oval, octagonal, round, rectangular or combined shape.
Primer of the workpiece surface.
Puttying uneven areas.
Leveling the surface of the base until smooth.
Varnish coating.
Painting with oil paints.
Two-layer coating of the product with transparent varnish.

Features of base manufacturing

Typically the tray base is hand forged from sheet iron using good quality roofing steel. The sheets are first stamped and then rolled to ensure that the edges are rigid. When making trays of standard shape, large iron sheets are cut into blanks of the required shape and size. Then on electric press"cutting" and "pulling" of the tray occurs. Using molds and a combined stamp, the sides of the future tray are formed. This process is called "beading" or "rolling".

Step-by-step painting of a Zhostovo tray

Here's how it goes:

At the priming stage, the background - the color of the tray - is selected and applied. Usually it is black, but there are also products with a blue, red, green background. Oil varnish is traditionally used to create a black background. The secret of the varnish is lost, but its base is known - a palm resin from Africa called copal. Thanks to a special varnish composition, the trays were unusually durable. According to the old masters of Zhostovo painting, their products are not afraid of either frost or heat and can only be compared with Chinese ones. At that time, this comparison implied highest quality goods.
At the second stage of Zhostovo painting, shading is created - the general silhouettes of the drawing are made with diluted paint and fired for several hours in a special oven. For painting and background, craftsmen use ordinary oil paint, diluted with linseed oil or turpentine, and a wide brush. When the master writes out his bouquet, he usually rotates the tray, placing the brush under the desired area.
Shadowing is a stage at which shadows are also applied to the silhouettes with diluted paint to create a primary volume.
The laying stage is the most important in painting. It is here that volume is given to the drawing, accents and highlights are applied using the whitewash method. Details are being finalized.
During the highlight stage, highlights are applied so that the image appears illuminated from different angles by multiple light sources.
At the drawing stage, with a very thin brush and black paint, important small elements of the design are made: the teeth along the edges of the leaf, its veins, the seeds in the center of the flower.
The anchoring stage is necessary to attach the picture to the base, the background. This is done by drawing connecting elements: antennae, twigs, etc.
The last stage - cleaning - is intended for decorating the sides of the tray. The ornament is applied with gold powder diluted in transparent varnish or turpentine. This powder is called “created” gold. Or it is painted with white paint mixed with varnish - gulfabra. The gulfabra is sprinkled with aluminum powder on top. Sometimes the sides are painted with a so-called wreath - an ornament including flowers.

The complexity of Zhostovo painting lies in the fact that the applied drawing does not allow any corrections and is done immediately and with extreme precision. Each master uses his own special techniques to create a product. He writes not from nature, not from pre-worked samples, but by inspiration. Fantasy and imagination make each product unique and unique. As a rule, a master creates several products at once.

Zhostov's motives

Zhostovo trays are very elegant and festive. The range of themes and motifs of painting, formed over centuries, very vividly and figuratively reflects the traditions and soul of the Russian people.

The main motives of Zhostovo painting are:

Bouquets of garden and meadow flowers.
Floral motifs.
Floral ornaments.
Vases.
Fairy lights.
Scenes from folk festivals.
Landscapes.
Still lifes.
Scenes of folk life.
Scenes of folk weddings.
Tea drinking scenes.

The most popular image is a three horses galloping at full speed, harnessed to a sleigh and surrounded by flowers.

By studying the content of the plots and samples of paintings, you can learn a lot about the history and life of the Russian people. It is interesting that during the Great Patriotic War all the metal in the country was used to make weapons. That’s why Zhostovo craftsmen painted cans and children’s metal buckets. Toy buckets were also melted down and used to make the base for trays.

Bouquet arrangements. Principles of compilation

Bouquets in Russian Zhostovo painting decorate the mullion, or middle part of the tray, its bottom. Typically, the basis of a bouquet consists of 3-4 large garden flowers: peony, dahlia, rose, tulip, etc. Small wild and garden flowers and buds are “stuck” into the outline of the bouquet: pansies, forget-me-nots, etc. They are connected together by flexible stems and twigs with leaves - the so-called "grass". On special occasions, bouquets include fruits and berries and decorate them with birds and butterflies. As a rule, one or several large flowers are located in the center of the composition. According to Zhostovo tradition, large flowers always have a pink tint.

Small buds become very pale, and against their background, large bright inflorescences protrude in relief from the plane of the dish. Squirrel brushes are used to paint flowers. They are chosen very carefully, since the hairs cannot be trimmed.

The margins or sides of the tray are also painted. But bouquet elements are not used in their design. Traditionally, the field is decorated with golden floral patterns in the form of intricate interlacing of stems and leaves - the so-called “grass”.

According to the tradition that came to Zhostovo art from the paintings of Fedoskino, the background or individual elements can be covered with mother-of-pearl. Such products look very elegant. Elements of Gzhel and Khokhloma can also be found in Zhostovo painting, for example “grass”.

Business cards of Zhostovo

Zhostovo trays are one of the calling cards of the craft. In order for the main pattern to protrude from the depths, reminding us of the reverse perspective, the craftsmen paint barely visible small inflorescences around.

The second business card is the sign on the tray: an image of the artist’s palette, tulip and brush. This is a long-standing, historically established stigma of workshops. The master leaves his autograph next to the mark or in the mark itself. Such a mark began to be allowed only after 1970, and in the old days only a mark with the signature of the factory owner was placed on products.

Another amazing hallmark of the Zhostovo craft are the so-called “smoked” trays, painted with a remarkable pattern reminiscent of a cracked surface. This painting technique is called “turtle-like”. Why smoked? Yes, because the trays are actually smoked over a candle flame. These are the most rare products of Zhostovo masters. It is known that two of these trays were in the collection of the Russian writer Leo Tolstoy.

Zhostovo trays in modern life

IN modern world folk crafts, including Zhostovo, occupy their special place. The range of their areas of use is quite wide: from interior decor elements to elite table settings. In the home or on the dining table, the Zhostovo tray is a bright, elegant accent that gives the atmosphere a positive and joyful mood.

According to tradition, Zhostovo trays can be divided into two main groups: for use in everyday life (for samovars, fruit, food, etc.) and for decoration. In everyday life, people lack beauty and aesthetics, ecological problems and the problems of a lack of communication with nature support the desire to compensate for the deficiency through elements of nature in the works that surround us in everyday life. People are especially drawn to products decorated with images of flowers. Apparently, this is why the fashion for such dishes remains consistently high. Designers use motifs from Zhostovo painting to create furniture, clothing, and jewelry.

Problems of modern Zhostovo fishing

With all the interest of residents and guests of Russia in Zhostovo folk art, it is necessary to note that artists have enough problems. The most pressing problem is the falsification of products, sometimes in violation of traditional technologies. By imitating the author's style, plagiarists try to make money from buyers by selling low-quality and not original, and therefore not unique product. The quality of such products is extremely low, and the images are primitive and are not included in the “golden fund” of Zhostovo painting compositions.

Learn and teach

How can you learn to create products in the style of Zhostovo painting yourself? It's not difficult, you just need desire, mood and patience. Initially, you need to stock up on the necessary materials and equipment. Nowadays in hardware stores and supermarkets you can find trays, sugar bowls and other household items that are not decorated and may well serve as the basis for painting. And in stores for artistic creativity You can purchase squirrel brushes of different sizes and oil paints, as well as the necessary solvents. How to draw Zhostovo painting and teach it to children? Let's try to figure it out.

The art of Khokhloma and Zhostovo painting is taught to children in the senior and preparatory group kindergarten. This type of work is not difficult. How do the guys learn? Step-by-step Zhostovo painting for children begins with sketching the future flower with a simple pencil. The sketch is in the shape of a circle. This blank is intended for dahlia. The technique used to paint a dahlia flower is called a “double stroke.” Two colors are selected. Light paint is applied to the brush, and darker paint is applied to the tip of the brush. The strokes are applied along the edge of the circle and performed in a certain sequence. This usually happens from top to bottom and from right to left. The second row is performed in the same way, and its petals seem to slightly overlap the lower part of the petals of the top row. Then the middle of the inflorescence is filled in the same way.

Step by step drawing Zhostovo chamomile painting is reminiscent of painting a dahlia head, and also uses the “double stroke” technique. The only difference is that the core is drawn first, and the petals are added to it in a certain sequence in one row: strictly above, below, left, right, then the spaces between them are filled evenly.

To paint a clover flower, you must first draw a circle with light pink paint, and then inside the circle, by dabbing from bottom to top in a fan arrangement, apply strokes of a darker shade, such as fuchsia. Using also dipping, the leaves of the calyx under the flower are depicted in green.

After drawing the central buds, the stage of drawing around the smaller flowers begins. To draw, for example, forget-me-nots, you can use cotton swabs instead of a brush. They are also depicted using the technique of dipping, but with the end surface. Using a thin brush, place a small white dot in the blue circle of the petal. By the way, children are not allowed to use oil paints. They paint using gouache.

Next comes the stage of drawing the “grass”. The leaves of the stems are also depicted with a double stroke. But their curved tips and curved stems are made by carefully twisting the brush counterclockwise. When depicting elongated curved leaves, strokes and twisting can be alternated so as to create a “zigzag”. When depicting more round leaves, use the “comma” technique.

Recently, interactive classes and master classes on Zhostovo painting have been held both in Zhostovo itself and in many centers additional education both for children and adults. If you have the desire, then nothing is impossible!

This is not a very simple technique and to learn how to draw in this style, you need to practice for a long time. But those who are familiar with Chinese painting can easily repeat it. Painting of the most ordinary tray. I buy a variety of trays (metal, with a pattern). First, I degrease the tray, cover it with a primer layer, then 2 layers of black varnish (matte) and start painting. Spray paint adheres well, dries quickly, is applied smoothly, and has no pungent odor.

For work you will need: acrylic paint (I only use polycolor), these paints apply perfectly, mix well with each other, are dense; brush, beveled synthetic; thin brush No. 0 synthetic. For the palette, I use a metal lid, put a paper napkin down (a few drops of water on the napkin to keep it damp) and tracing paper on top. I squeeze paint onto tracing paper. A damp cloth is needed to prevent the paint from drying out.

With a light pencil I outline where the flower buds will be.

I start with the upper leaves of the flower, then the lower ones. One tone.

I paint over it (in the photo there is a glare from the flash).

I use black paint to shade the inside of the bud.

A set of paint on a brush (colored) and white, I draw the upper petals. I paint everything with an angled brush.

Using circular strokes I complete the upper part of the flower, covering the bud.

I draw small details.

I draw the lower part of the flower.

I shade the middle with dark yellow paint (I dilute the paint with water).

I make the painted strokes brighter.

I put dots in the middle (the camera let me down a little).

Second bud. I start the same way as the first one, only in white.

I paint one side with light purple and yellow paint, darkening the inside of the bud.

A set of paint on a brush is purple and white, I draw the upper petals and petals in a circle.

I draw additional petals in the middle.

In a white rose I draw turned-back petals and draw small details with a thin brush. Yellow flower in the same pattern.

I start with closed petals from the middle of the bud.

I complete the petals, closing the bud, and draw all the rose petals in a circle.

I draw petals on top of each other, from bottom to top.

I paint the closed petals with white paint.

I outline all the flowers with black paint and a thin brush, complementing and making them more alive.

I paint a closed bud with pink paint, paint the closed petals with white paint, and shade the part of the flower that is closer to us with yellow paint.

I paint the frame of the bud with white paint, shading it with purple, yellow and black.

With white paint I highlight the part of the flower that is farthest to us.

I close the bud.

I add the lower petals.

I add small leaves.

With a thin brush I paint the stamen and outline the leaves.

I add petals of different lengths in a circle and darken it.

I add leaves with white paint. Then it seemed to me that the central part of the flower was wide and I decided to make it smaller.

I shade the flower with yellow paint and add white leaves.

Small leaves all over the flower; with a thin brush I outline the center of the bud.

After finishing all the painting, after 1-2 days, I cover it with 2 layers of varnish.

www.livemaster.ru

preparation, step-by-step drawing of elements, making patterns

This type of painting, named after a village near Moscow, is known throughout the world. Even people far from art will unmistakably distinguish the Zhostovo tray from the variety of folk crafts. Bouquets of flowers, berries and fruits appear like an explosion from a dark background, shimmer with many colors and are about to disappear. To catch this beautiful moment and capture it with soft brushes and paints - this is the skill of the artist.

A painted tray stops your gaze for a long time, forcing you to examine each petal, trace the curves of twigs and grass, and guess the graceful figures of birds among the flowers. You can watch the painter’s work endlessly: his hand movements are precise and dexterous, and buds instantly bloom from under his obedient brush. It seems that Zhostovo tray painting is not difficult. And this would indeed be the case if the work were not preceded by years of training and skill development.

Will help you get involved with the creativity of Zhostovo residents step-by-step description painting work. Perhaps it’s hidden in one of the steps main secret skill?

How a Zhostovo tray is created in a factory

Trays of ordinary shapes (round and rectangular) are made from sheet iron using machines. The sheets are cut, pressed, then the edges are pressed onto them and the sharp edge is carefully bent. When creating unique forms, the manual labor of a farrier is used - a blacksmith who works with cold metal.

The finished trays are sent to the grinding and priming shop, where they are coated with several layers of primer and dried. The primer gives color to the background, most often it is black. Red or green backgrounds look very smart.

Finally, the tray ends up in the painting department. The artist does not have a model; a Zhostovo bouquet is created only by imagination.

The next stage is ornamentation or “cleaning”. Using a thin brush, the ornament is applied along the edges, which completes the composition. This is done by another master, whose hand is accustomed to fine and precise work.

Finally, the tray is sent to be coated with several layers of special varnish. As a result, it becomes smooth and shiny.

Gallery: flowers from Zhostovo (25 photos)

Gesture painting for children and adults

Having taken your child away from the computer, you must immediately offer him another absorbing activity. Coloring trays, fueled by looking at photographs of finished products, can captivate both a child and an adult drawing enthusiast for a long time.

Making a tray at home is, of course, difficult. But mastering the technique of Zhostovo painting and enjoying creativity is available to everyone. A bright pattern will decorate cutting board, wooden dishes, Christmas ball or Easter egg. But you should start with training - drawing on paper.

“Zhostovo painting” coloring book, produced by the book industry, can also be used to teach preschool children. The contours here are already assembled according to the laws of composition or represent individual elements. But you shouldn’t get carried away with it: the principles of coloring contradict the free spirit of the Zhostovo pattern.

Materials and preparation

It will take a long time to train the skills of each step of painting, so at first the child can use watercolors, gouache and ordinary sketchbooks. Later they switch to silhouettes of trays cut out of black cardboard.

Once the basic elements have been mastered, you can purchase a cutting board or papier-mâché molds onto which the design will be applied. They are bought in art salons or made independently. At the factory in Zhostovo, including via the Internet, you can buy blank trays for painting. A less expensive purchase would be an ordinary galvanized bucket or basin. The fear of ruining expensive products will increase the responsibility of the novice artist before each stroke.

Wooden and paper products are primed with special compounds, selecting the background color. Metal objects are degreased, cleaned and coated with metal primer (it is convenient to use black or red aerosols). Used items are especially carefully cleaned, since Zhostovo painting requires a perfectly smooth surface.

Oil paints are used for work; they are recommended to be mixed with glossy varnishes to achieve an expressive image. Just buy the basic colors:

red kraplak;
cobalt blue;
burnt bone;
light ocher;
emerald green;
titanium white.

Inexpensive kits are suitable for training, but you should know that the properties of oil paints vary greatly depending on the composition. To thin the paint you will need linseed oil or turpentine.

The arrangement of Zhostovo flowers on a household item should correspond to the shape of the vessel being decorated. You can depict a bouquet on a board or bucket, and an endless garland of flowers on the sides of a bowl or plate.

Zhostovo painting is multi-layered. Layering layers of paint from dark to light creates volume and convexity of the design. Of course, each layer is applied after the previous one has completely dried.

First you should master the basic stages of creating an image:

When analyzing finished products, you need to pay attention to the composition, basic shapes and try to reproduce them in the form of color spots. It is not recommended to make a pencil sketch; sticking to the lines will only harm the work of the imagination.

Elements of Zhostovo painting

Training should begin with simple, one-time strokes (sheet). By connecting three leaves, you get a “trefoil”. Two green strokes and one red make up a bud. The bud is planted on a stem and surrounded by leaves - a “twig” is obtained.

In the next lesson, they master broad strokes from which large flowers (roses and dahlias) and medium ones (poppies, bells, pansies) are composed.

There is no task to reproduce the flower exactly: the image of plants on the Zhostovo tray is creative, fantasy and only vaguely resembles nature.

Training and application

Having noticed the child’s passion for drawing, you can send him to special Zhostovo painting courses for children. The best of them, including for adults, are held in Zhostovo itself. The scope of knowledge is quite wide. In addition to traditional trays, fabrics, nails, cars are painted in the Zhostovo style, fashion design kitchen furniture and walls.

Folk crafts associated with images of flowering plants symbolize eternal life, resurrection, love and joy. Any dream or wish can be expressed with elements of painting. Anyone who receives a Zhostovo bouquet from the artist will only have to unravel the message written in such an unusual, bright letter.

Attention, TODAY only!

1igolka.com

how to draw flowers and leaves step by step with video

Zhostovo painting - Russian folk art, defined in the painting of metal trays. The coloring has something in common with Tagil painting, although, in fact, it is a late branch from it at the beginning of the 19th century.

The first independent workshop was created around 1825 by Osip Vishnyakov in the village of Zhostovo in the Moscow region. He was engaged in the manufacture of trays from papier-mâché and metal using varnishes, and along with him there was a workshop for “remaking trays” by Ivan Mitrofanov. New workshops began to open along the chain. The tray-making craft has had its ups and downs. The fact is that with the advent of Soviet principles, drawings were often subject to simplification, which did not have a very good effect on the works themselves, because the masters were required to repeat the style of the ornament, which was not the principle of this applied arts. Now the situation remains at a stable level.

To this day, mass production of trays painted with this technique is carried out; in modern art, the old traditions of ancient crafts are often supported and developed. It is not surprising that painting of trays from Zhostovo is flourishing, since the painting technique created over the years is truly mesmerizing with three-dimensional masterpieces.

Characteristic signs

Decorative painting of trays with Zhostovo motifs - these are magnificent flower bouquets, most often on a black or red background. The technique is accompanied by complete improvisation, mainly large open flowers and wide leaves. Flowers are not repeated exactly as in nature, but have the basic structure of a natural flower, thereby creating the line between reality and fiction, adding more tenderness and brightness to flower bouquets. Less common, but still found, are birds and animals, as well as silhouettes of dishes and people

In ancient times, gold and silver colors predominated, but now the works have gained bright colors.

Steel is used to make trays. Before painting begins, the product must be prepared for work. Primer is applied to the trays, sanded, and varnished black several times. Each layer is dried.

Techniques for drawing compositions

How do they draw such a miracle? For painting, materials such as oil-based paints, natural brushes, gold paste, a blank metal tray, varnish, linseed oil for correcting mistakes, and related tools are used - a glass for water, a ruler and a palette for mixing paints.

The drawing is applied directly to the background in stages. Compositions can be bouquets or placed along the edges of the tray. How to draw and what colors can you use? Zhostovo painting uses many colors, mainly red, pink, blue, green, and white and black will definitely be needed to completely complete the picture, giving volume to the petals.

The first stage of work will be the so-called “painting”. Broad strokes of the main colors are used, this is the basis for future flowers and leaves.

Then the shadows are drawn with a brown or darker shade, while on the other side we highlight with a lighter shade. Photo below.

Here are more photos of color options that can be included in your work. The colors are varied by the master, depending on the wishes. The drawing does not end here, there is still a lot of work, because this type The painting should look voluminous and colorful. Subsequently, highlights, shading on the leaves and background, veins and openwork edges are applied. The most important step in the work is the “lining”: a dense body letter. The shapes of the bouquet take on flesh, are accentuated, brightened, and a contrasting or more harmonious color structure of the entire composition is realized. With the help of thin strokes, the composition is collected into a single bouquet. At the end of the work, the tray is framed with geometric patterns in gold and white paint.

The style of Zhostovo trays will perfectly complement the kitchen decor, they simply look chic and can be presented as a souvenir to friends from other countries. Setting the table with these trays will add color and warmth to any home. Pictures of trays with red and other backgrounds with a predominance of gold designs.

In fact, the Zhostovo painting featured the work of many outstanding masters, since the works were freestyle. Many artists made their own adjustments to the works, maintaining a certain drawing technique, diversified the drawings, creating a whole range of products that went down in history as unique.

Video on the topic of the article

how to draw step by step and how to draw trays

Zhostovo painting arose in the 18th century in the Urals, where large metallurgical plants in Russia were concentrated at that time, and in the 19th century it spread to the Moscow region, where it received its greatest development. Traditionally, only metal trays are painted in Zhostovo painting, but recently pictures in the Zhostovo style can be found both on metal dishes and on glass, ceramics, leather and even nails.

The main motif of Zhostovo painting is flowers, bouquets of them, branches or wreaths and garlands, mainly on a black or red background. Moreover, the painting is carried out immediately on the tray, without the use of preliminary sketches or templates. We can say that the artist “thinks with a brush”, and quite quickly - a real master manages to paint up to ten trays in a day. Thanks to this, no two trays are alike; each painted item is unique and inimitable.

Zhostovo painting is multi-layered, done in several stages with special transparent dyes, as a result of which the lower layers of paint are visible through the upper ones, giving a special effect of glow and depth.

Distinctive feature painting is that flowers and leaves are painted with bright colors - blue, green, red or yellow, and their brightness is further highlighted due to the black background on which the painting is carried out.

The painting itself is done with oil paints, and it does not matter in what form they are produced - in jars or tubes, because in any case, immediately before painting they are diluted with linseed oil and turpentine to the required consistency for this purpose. So that the paint does not protrude beyond the surface of the design after varnishing.

For painting, soft squirrel brushes are mainly used, which absorb a large number of paints and as a result give a long stroke. In this case, an ordinary stone slab is used as a palette for mixing different colors.

There are two types of compositions of Zhostovo painting - if the main composition is located in the center of the tray, then it is an assembled bouquet, and if the elements of the design are located along the edges of the product, then it is a wreath.

Decorative painting in the Zhostovo style is applied in stages and therefore it is very complex and requires not only imagination, but also steadiness of the hand, speed of drawing, as well as knowledge of mixing dyes to obtain the desired result.

Stage 1

At this stage, the metal blank is prepared for painting - priming, puttying, grinding and varnishing. They are also determined by the background color - most often it is black, but in some cases it can be white, red, turquoise, silver or any other at the discretion of the artist.

Stage 2

Silhouettes of the elements of the future design are applied to the prepared surface of the tray with diluted paint. After this painting, the tray is dried in the oven for several more hours.

Stage 3

Using translucent paints, colored shadows are applied. This gives volume to the flowers, and the remaining plants show shady places.

Stage 4

At this stage, all the details are clarified, contrast is realized and the structure of the entire composition is harmonized - this is the most important stage of painting.

Stage 5

This stage is called glare, since glare is superimposed on the entire design, and the bouquet becomes as if illuminated by different light sources from different sides.

Stage 6

To complete the work, the artist uses a special thin brush to apply the finishing touches - the veins on the leaves and the seeds in the center of the flower cups.

Stage 7

This is the penultimate stage of painting the tray. At this stage, blades of grass, leaves and tendrils are drawn in, with the help of which the bouquet becomes part of a single bouquet and connects with the background.

Stage 8

At this stage, the sides of the tray are decorated. Decoration can be with a floral or geometric pattern; without it, the tray looks unfinished. Without any specific “zest”.

As a result of such complex and labor-intensive processes, a truly unique product is born that cannot be repeated, even if it is made by the same master, since this type of painting combines a strict sequence of painting with improvisation creative process.

Video on the topic

In conclusion, we invite you to familiarize yourself with the video lessons, from which you can learn how to paint pictures using the Zhostovo painting technique, as well as how to draw unique products for interior decoration and other things in this style.

sdelala-sama.ru

Decorative and applied art of the peoples of Russia is the calling card of our country. Among folk crafts, Zhostovo painting occupies a special place, striking with the freshness of flower arrangements, as well as the purity and delicacy of the color scheme.

Development area

Stages of product creation

From the beginning to the end of the production of the product, the process of creating Zhostovo painting goes through a number of stages:

Making a tray of oval, octagonal, round, rectangular or combined shape.
Primer of the workpiece surface.
Puttying uneven areas.
Leveling the surface of the base until smooth.
Varnish coating.
Painting with oil paints.
Two-layer coating of the product with transparent varnish.

Features of base manufacturing

Typically the tray base is hand forged from sheet iron using good quality roofing steel. The sheets are first stamped and then rolled to ensure that the edges are rigid. When making trays of standard shape, large iron sheets are cut into blanks of the required shape and size. Then the tray is “cut” and “stretched” using an electric press. Using molds and a combined stamp, the sides of the future tray are formed. This process is called "beading" or "rolling".

Step-by-step painting of a Zhostovo tray

Here's how it goes:

At the priming stage, the background - the color of the tray - is selected and applied. Usually it is black, but there are also products with a blue, red, green background. Oil varnish is traditionally used to create a black background. The secret of the varnish is lost, but its base is known - a palm resin from Africa called copal. Thanks to a special varnish composition, the trays were unusually durable. According to the old masters of Zhostovo painting, their products are not afraid of either frost or heat and can only be compared with Chinese ones. At that time, this comparison implied the highest quality of the product.
At the second stage of Zhostovo painting, shading is created - the general silhouettes of the drawing are made with diluted paint and fired for several hours in a special oven. For painting and background, craftsmen use ordinary oil paint, diluted with linseed oil or turpentine, and a wide brush. When the master writes out his bouquet, he usually rotates the tray, placing the brush under the desired area.
Shadowing is a stage at which shadows are also applied to the silhouettes with diluted paint to create a primary volume.
The laying stage is the most important in painting. It is here that volume is given to the drawing, accents and highlights are applied using the whitewash method. Details are being finalized.
During the highlight stage, highlights are applied so that the image appears illuminated from different angles by multiple light sources.
At the drawing stage, with a very thin brush and black paint, important small elements of the design are made: the teeth along the edges of the leaf, its veins, the seeds in the center of the flower.
The anchoring stage is necessary to attach the picture to the base, the background. This is done by drawing connecting elements: antennae, twigs, etc.
The last stage - cleaning - is intended for decorating the sides of the tray. The ornament is applied with gold powder diluted in transparent varnish or turpentine. This powder is called “created” gold. Or it is painted with white paint mixed with varnish - gulfabra. The gulfabra is sprinkled with aluminum powder on top. Sometimes the sides are painted with a so-called wreath - an ornament including flowers.

Zhostov's motives

Zhostovo trays are very elegant and festive. The range of themes and motifs of painting, formed over centuries, very vividly and figuratively reflects the traditions and soul of the Russian people.

The main motives of Zhostovo painting are:

Bouquets of garden and meadow flowers.
Floral motifs.
Floral ornaments.
Vases.
Fairy lights.
Scenes from folk festivals.
Landscapes.
Still lifes.
Scenes of folk life.
Scenes of folk weddings.
Tea drinking scenes.

The most popular image is a three horses galloping at full speed, harnessed to a sleigh and surrounded by flowers.

By studying the content of the plots and samples of paintings, you can learn a lot about the history and life of the Russian people. It is interesting that during the Great Patriotic War, all the metal in the country was used to make weapons. That’s why Zhostovo craftsmen painted cans and children’s metal buckets. Toy buckets were also melted down and used to make the base for trays.

Bouquet arrangements. Principles of compilation

Business cards of Zhostovo

Zhostovo trays in modern life

In the modern world, folk crafts, including Zhostovo, occupy their special place. The range of their areas of use is quite wide: from interior decor elements to elite table settings. In the home or on the dining table, the Zhostovo tray is a bright, elegant accent that gives the atmosphere a positive and joyful mood.

According to tradition, Zhostovo trays can be divided into two main groups: for use in everyday life (for samovars, fruit, food, etc.) and for decoration. In everyday life, people lack beauty and aesthetics; environmental problems and problems of lack of communication with nature support the desire to compensate for the lack by using elements of nature in the works that surround us in everyday life. People are especially drawn to products decorated with images of flowers. Apparently, this is why the fashion for such dishes remains consistently high. Designers use motifs from Zhostovo painting to create furniture, clothing, and jewelry.

Problems of modern Zhostovo fishing

With all the interest of residents and guests of Russia in Zhostovo folk art, it is necessary to note that artists have enough problems. The most pressing problem is the falsification of products, sometimes in violation of traditional technologies. By imitating the author's style, plagiarists try to profit from customers by selling low-quality and non-authored, and therefore not unique, goods. The quality of such products is extremely low, and the images are primitive and are not included in the “golden fund” of Zhostovo painting compositions.

Learn and teach

How can you learn to create products in the style of Zhostovo painting yourself? It's not difficult, you just need desire, mood and patience. Initially, you need to stock up on the necessary materials and equipment. Nowadays in hardware stores and supermarkets you can find trays, sugar bowls and other household items that are not decorated and may well serve as the basis for painting. And in art stores you can buy squirrel brushes of different sizes and oil paints, as well as the necessary solvents. How to draw Zhostovo painting and teach it to children? Let's try to figure it out.

The art of Khokhloma and Zhostovo painting is taught to children in the senior and preparatory groups of kindergarten. This type of work is not difficult. How do the guys learn? Step-by-step Zhostovo painting for children begins with sketching the future flower with a simple pencil. The sketch is in the shape of a circle. This blank is intended for dahlia. The technique used to paint a dahlia flower is called a “double stroke.” Two colors are selected. Light paint is applied to the brush, and darker paint is applied to the tip of the brush. The strokes are applied along the edge of the circle and performed in a certain sequence. This usually happens from top to bottom and from right to left. The second row is performed in the same way, and its petals seem to slightly overlap the lower part of the petals of the top row. Then the middle of the inflorescence is filled in the same way.

The step-by-step drawing of Zhostovo chamomile painting is reminiscent of drawing a dahlia head, and the “double stroke” technique is also used. The only difference is that the core is drawn first, and the petals are added to it in a certain sequence in one row: strictly above, below, left, right, then the spaces between them are filled evenly.

Recently, interactive classes and master classes on Zhostovo painting have been held both in Zhostovo itself and in many centers of additional education for both children and adults. If you have the desire, then nothing is impossible!

www.nastroy.net

Zhostovo painting coloring for beginners, picture

Surprising with its variety and different colors, splashing on the various surfaces of trays, Zhostovo painting creates colorful floral patterns, decorated with subtle details. Delightful roses and scarlet poppies, ordinary daisies and cute cornflowers, voluminous peonies and light asters are combined with unknown, but no less amazing flowers. Birds and butterflies, various berries and fruits look lifelike on such light and ordinary products as trays. No matter how much you search, you will not find a single tray that is similar - each of them stands out in some way! Decide to start, because drawing is not difficult!

How to create colored backgrounds on trays?

The Zhostovo factory of decorative paintings and colorings, in addition to trays with a classic black background, creates products that have red, blue, green and blue backgrounds. To make them, apply a thin layer of light varnish to the surface of the tray. While it dries, sprinkle it with bronze or aluminum powder. After this background has dried, it is painted with special paints of the desired shade, thanks to this the background is bright and rich, but at the same time shimmering, slightly translucent.

Painting on a colored background requires changes, both in color features and in technical techniques. So, the highlights are only slightly defined, and the shadows are slightly drawn.

Artistic painting of Zhostovo trays

Many masters of this craft paint with various squirrel brushes and oil paints diluted with ordinary linseed oil. Each master always works on several works. To create an ornament, white paint and varnish are used, sprinkled with aluminum powder or the so-called created gold - gold powder diluted in turpentine or in transparent varnish.

Zhostovo painting is created in two stages: painting and straightening. At the painting stage, the master uses a large brush to draw the main silhouette of the composition on the entire surface of the tray. To create it, diluted paints are used. Then we dry the tray with our painting for 12 hours in special drying cabinets.

Materials and tools for work

What we need to create such a painting:

Master class on Zhostovo painting

Let's start our master class with the usual steps.

The first step of painting is considered painting. For the Zhostovo technology, paints need to be diluted with white and a little linseed oil added to the mixture. Then we apply the design onto the tray using large strokes. In most cases, the most voluminous buds are placed in the middle of the product, with leaves and smaller flowers around them.
After painting, the product must be left to dry for 12 hours.
Let's start drawing the shadow in the same way as shown in the photo. This is the application of darker colors to the tips of the petals and leaves to create the illusion of volume.
Then we highlight the necessary places with whitewash - this step is called laying. The product immediately takes on a beautiful appearance.
Next in line is creating glare. This step is called glare.
Our work is coming to an end. Let's make a drawing - with the thinnest brush we draw out small details - veins on leaves and petals, stamens, veins. You can take a ruler to make it easier to create strokes.
The images on the Zhostovo tray are always one composition, and not just separately created flowers. To create this integrity, binding is used - curls and blades of grass, patterns and dots are depicted in the spaces between flowers and leaves. It is this step that produces that popular “Zhostovo” pattern.
Now all that remains is to decorate the sides of the product. They can simply be outlined with a contrasting line or decorated with floral patterns. This step is called "cleaning up".
Now we have completed drawing the image. As you can see, each step of Zhostovo painting has its own individual name, and in general all steps from 5 to 9 are called “straightening”.
After drying, the finished tray should be coated with two or three layers of varnish, allowing each layer to dry for two hours. The drying place should be located in a well-ventilated area, and care must be taken to ensure that small specks or, for example, poplar fluff do not stick to the finished product.

Our tray is complete, we can start drinking tea!

Conclusion.

There are many zhostovo painting coloring pages for children. Zhostovo painting coloring pages for children are pictures for coloring, depicting popular trays, flowers, birds, and other elements. Coloring pages will be very interesting and exciting for children of any age. The drawings seem to be created from the shimmering depths, flashing with colorful bouquets of flowers from large buds and small flowers. With the help of such coloring books, the child will easily master the technique of canvas painting, and we will be able to paint some product ourselves, for example, a tray.

myhobby.guru

Zhostovo painting - drawing for children

If you learn how to draw Zhostovo painting correctly, you will get pictures very quickly.

Thus, masters who have mastered this art can decorate more than one tray in one day. The artist immediately works with paint, without preliminary sketches. The master constantly rotates the tray, which makes such drawings more alive and moving.

This painting technique is used when painting wooden and metal objects. Zhostovo painting consists of various images of flowers, which are collected into beautiful bouquet compositions.

For children, Zhostovo painting lessons are very useful, as they help develop imaginative thinking, an eye, the ability to use a brush and make a variety of strokes. It is almost impossible to learn this in one lesson, since you need to gradually learn the technique of making strokes to depict a particular element.

From this article you will learn

Where to begin

Zhostovo painting requires preparation necessary tools. A landscape sheet of paper is ideal for learning. You can practice on wood or metal after you have acquired the skills and knowledge. For your first lessons, prepare the following equipment:

album sheets for drawing;
jar gouache;
round squirrel pussies of different thicknesses;
a jar of water;
palette for mixing paints;
a soft rag made of natural fabric for wiping and dipping paints from brushes.

ABC of brush strokes

The first thing you need to learn is the strokes that make up Zhostovo painting. They are different, so each of them requires its own explanation of execution.

Flat stroke - begins with the entire pile, which rises sharply from the middle. It is better to use a brush number 6 for this. You need to practice making a flat stroke in different directions. If you combine several of these elements, you get a “crown”, which is used to depict a flower.
“Droplet” stroke – the brush is placed vertically, pressed to the middle and drawn down, draw a second stroke, placing it next to it. The result is a heart, which is also used as flower petals.
The “Droplet” stroke is very similar in its technique to the flat stroke technique, but towards the end its twisted part turns left or right.
“Zigzag” is actively used if you need to frame a tray or picture. The image begins from the tip of the brush, and as it moves, it drops to the middle, and then goes in the reverse order to the tip. By joining two “zigzags” together, a “stalk” is created.

With one stroke you can depict two colors at once. To do this, dip the brush in different colors, and the excess is removed with a cloth. Thus, all of the above strokes are practiced with children.

Practice depicting all the elements and combining them into buds, flowers, leaves.

Features of the technology

It should be noted that the vividness of the drawings is given by their heterogeneity. Therefore, when children learn to depict the basic elements, they should be taught how to apply paint to a picture step by step. This will give the image life.

Zhostovo painting for children takes place in two stages. At the first stage, the so-called “painting” is done. This is a kind of outline where the flowers of the future bouquet will be located. After drying, a “shadow” of the drawing is made.

Explain to children that dark shades are applied first, and then light shades. This is the whole drawing technique.

Only after the child is able to accurately make painting elements and make flower arrangements on paper from them can he try to paint a tray, mugs, plates and other objects.

razvitie-vospitanie.ru

Zhostovo painting is a Russian artistic craft. Since 1825, craftsmen have been decorating wooden and metal trays in a special way, creating complex floral arrangements.

History of the fishery

The industry arose in the middle of the 18th century in the Urals, where the largest number of metallurgical plants were concentrated. In the 19th century, trays began to be actively produced in the villages of the Moscow province - Zhostovo and Novoseltsev. Soon the local fishery gained enormous popularity.

Beginning in 1920, quite powerful labor artels began to form in different towns. However, ten years later, folk crafts tried to supplant Soviet ideas that suggested the establishment of realism.

Only in the 1960s. artistic painting regained its impressive authority. Leading masters created not only bright and original compositions, but also captivated with their special flavor and genuine exclusivity.

Colors of Zhostovo painting

The classic presentation of the picture assumes a black or red background. More progressive modern concepts also allow the use of delicate pastel canvases to create a rich multi-color composition.

The Zhostovo factory produces products with a red, blue, green or light blue background. One of the most popular shades is “ivory”. Less common are “gold” and “aggressive” red canvases.

Canvases with a mother-of-pearl coating look especially elegant. Shimmers can “decorate” both the entire background and individual accents of the composition. Mother of pearl inlay was originally used in Fedoskino.

Primary colors

The color palette used by the Zhostovo masters artistic profile, more than diverse and rich. The following color schemes are preferred for the background:

Black(#000000);
Ivory or wheat(#F5DEB3);
Red(#FF0000);
Blue(#00BFFF);
Azure(#007FFF);
Yellow(#FFBA00);
Burgundian(#900020);
Gold(#FFD700);
Amber(#FFBF00);
Brown(#964B00).

To create the drawing itself, you can use absolutely any color. Improvisation with tones and halftones is encouraged.

Elements and patterns of Zhostovo painting

Most often, Zhostovo artists create simple flower arrangements in the form of bouquets. The pattern is formed from harmoniously connected small flowers and large spectacular inflorescences, unopened buds and green foliage.

Popular flowers: rose, aster, peony, tulips, dahlias, complemented by thin leaves, buds and stems with small branches. In addition to garden compositions, artists often depict modest violets, cute lilies of the valley, touching pansies or bindweed.

Along with traditional lilies, immortelle, thyme and daisies, artists loved to depict completely unprecedented outlandish flowers that do not exist in nature. Particularly rich bouquets are complemented with fruits and berries. Sometimes butterflies and birds may be depicted in the center or in the background.

(Zhostovo painting with a plot picture)

In addition to flower arrangements, Zhostovo artists sometimes painted narrative paintings. These are scenes from life ordinary people, various landscapes, luxurious landscape compositions. A popular motif is a trio of horses surrounded by flowers.

The main feature of painting is an improvisational approach to any drawings. Artists are not at all obliged to create according to strict templates and images, or to follow special patterns or nature. Given the amazing variety of artistic techniques, improvisational base and creative approach, each drawing is truly unique and inimitable.

Execution technique

Traditional painting involves the use of exclusively black canvas. Trays made of metal and wood were used for fishing various shapes: from standard rectangular to complex combined ones.

Let's look at the whole process step by step:

Primer

At the stage of primary priming, the products are treated with a special putty material and sanded. It is now that the master selects the background for the base, which will then be impossible to change.

Zamalenok

This is the basis of the ornament. Using diluted paint, the master forms the silhouettes of all the elements that will be present in the drawing. At this stage, the improvisational component is almost completely absent, and the basis for the future ornament is set strictly according to a pre-thought-out scheme.

Tenezhka

The shade allows you to give a translucent composition greater realism. Distinct shadows, “highlights” of light and halftones appear. Flowers become voluminous, leaves and stems look more natural.

Pad

This is the most critical stage. The interlining layer allows you to give the bouquet the utmost degree of realism, which distinguishes Zhostovo painting from other artistic crafts. The artist’s task is to “clarify” details and highlight individual areas. The master sets the tone of contrast or “evens out” the compositions through harmonious transitions.

Glare

Light and volume are built by superimposing highlights. The bouquet, as if exposed to the rays of the sun, begins to glow and shine. Now the composition has a special flavor and mood.

Drawing

This is a very interesting stage. The master’s task is to draw each element of the picture using a thin brush and a minimum quantity, adding realism to it. Seeds appear on the berries, pistils and stamens appear in the flower cups, leaves, grass and stems become voluminous and believable due to lacy additions and other complex accents.

(The main stages of painting in a visual drawing)

And then...

Binding

At this stage, a complex composition must be “implanted” into the background. To do this, the master uses thin blades of grass, tendrils, and ornate elements, which add even more volume to the canvas and make the entire composition whole and complete.

In order for the product to look finished and the style to fully comply with generally accepted canons, craftsmen resort to “cleaning”. This is the decoration of the side of the tray with various geometric lines, floral patterns, and floral wreaths. The edging can be very modest, only slightly emphasizing the frame, or very rich, not inferior in its splendor to the central figures of the composition.

Zhostovo painting is a Russian folk art, defined in the painting of metal trays. The coloring has something in common with Tagil painting, although, in fact, it is a late branch from it at the beginning of the 19th century.

The first independent workshop was created around 1825 by Osip Vishnyakov in the village of Zhostovo in the Moscow region. He was engaged in the manufacture of trays from papier-mâché and metal using varnishes, and along with him there was a workshop for “remaking trays” by Ivan Mitrofanov. New workshops began to open along the chain. The tray-making craft has had its ups and downs. The fact is that with the advent of Soviet principles, drawings were often subject to simplification, which did not have a very good effect on the works themselves, because the masters were required to repeat the style of the ornament, which was not the principle of this particular applied art. Now the situation remains at a stable level.

Characteristic signs

Decorative painting of trays with Zhostovo motifs are magnificent flower bouquets, most often on a black or red background. The technique is accompanied by complete improvisation, mainly large open flowers and wide leaves. Flowers are not repeated exactly as in nature, but have the basic structure of a natural flower, thereby creating the line between reality and fiction, adding more tenderness and brightness to flower bouquets. Less common, but still found, are birds and animals, as well as silhouettes of dishes and people

In ancient times, gold and silver colors predominated, but now the works have gained bright colors.

Steel is used to make trays. Before painting begins, the product must be prepared for work. Primer is applied to the trays, sanded, and varnished black several times. Each layer is dried.

Techniques for drawing compositions

How do they draw such a miracle? For painting, materials such as oil-based paints, natural brushes, gold paste, a blank metal tray, varnish, linseed oil for correcting mistakes, and related tools are used - a glass for water, a ruler and a palette for mixing paints.

The first stage of work will be the so-called "painting". Broad strokes of the main colors are used, this is the basis for future flowers and leaves.

Then the shadows are drawn with a brown or darker shade, while on the other side we highlight with a lighter shade. Photo below.

Here are more photos of color options that can be included in your work. The colors are varied by the master, depending on the wishes. The drawing does not end there, there is still a lot of work, because this type of painting should look voluminous and colorful. Subsequently, highlights, shading on the leaves and background, veins and openwork edges are applied. The most important step in the work is "pad": dense corpus writing. The shapes of the bouquet take on flesh, are accentuated, brightened, and a contrasting or more harmonious color structure of the entire composition is realized. With the help of thin strokes, the composition is collected into a single bouquet. At the end of the work, the tray is framed with geometric patterns in gold and white paint.

Video on the topic of the article

Zamalevok

Whitened paints outline the overall silhouette of the composition and the location of the main color spots. In the painting, the artist uses a wide brush to sketch the silhouette of the bouquet on the working surface of the tray. Zhostovo painting is carried out without preliminary drawing with dense, somewhat whitened paints simultaneously on several trays. The cursive style of writing allows Zhostovo masters to paint 5, 6 or more trays per day. When creating a bouquet, the artist rotates the tray on his knee, as if placing the desired area of its surface under the brush. In this case, you need to monitor the beauty and expressiveness of the silhouette of flowers, buds, leaves and stems, the rhythmic arrangement of colorful spots, and the ratio of the scale of painting the form and the background of the tray. The painting is dried for 3-4 days in free air or for several hours in a drying cabinet, after which it is covered with light varnish and cleaned for the second stage of writing.

Tenezhka

Shadows are applied to the dried painting using glaze paints. This technique plunges the bouquet into the depth of tone. Glaze paints are applied with strong, rich strokes with a wide flat brush: blue (Prussian blue or ultramarine), green (emerald green) and red (kraplak). The shade is designed to enhance the sound of color and emphasize shady places in flower forms.

Pad

Dense corpus letter. The shapes of the bouquet are refined and highlighted using dense colors. Using bright, dense colors, the artist reveals (lays out) the volumes of flowers and leaves.

Glare

The overlay of highlights reveals volume and light and completes the sculpting of forms. Complements the gasket with bleached trimmings of flowers, buds and leaves.

Drawing

This technique quickly and easily outlines petals and leaves, and seeds in flower cups. Completes the cutting of the main forms of the bouquet with thin, musical lines, drawing the outlines of the petals and veins of the leaves. The artist depicts stamens and pistils in flower cups, which is called planting seeds.

Binding

Final letter. A grass pattern written with green or brown paint in the gaps between flowers and leaves. Zhostovo bouquets are characterized by bright colors: blue, red, green, yellow, white, orange, the sonority of which is especially emphasized by the black lacquer background.

Ornament

Painting with gold paint on the side of the tray. The sides of the trays are decorated with light, openwork patterns. The ornament is made with a squirrel brush and light varnish.

Trays are made from ordinary sheet iron. Forged products are primed, puttied, sanded and varnished, which makes their surface impeccably smooth, then painted with oil paints and covered with several layers of transparent colorless varnish. The most important operation that requires true creativity is painting. The subjects of painting are floral and plant ornaments and everyday scenes from folk life, landscapes, scenes of folk festivals, weddings and tea parties. The most common type of Zhostovo painting is a bouquet located in the center of the tray and framed along the side with a small golden pattern. In this construction one can see a certain reflection of the composition of an easel still life of the 19th century, enclosed in a gilded frame. But the motif itself received a more decorative and conventional interpretation than in easel paintings. It becomes part of a decorative item; special techniques allowed the craftsmen to organically fit it, as if “fusing” it into the varnished surface of the tray. The bouquet turned into an elegant group of flowers, laid loosely on a shiny lacquer background. Three or four large flowers (rose, tulip, dahlia, and sometimes more modest pansies, bindweed, etc.) were surrounded by a scattering of smaller flowers and buds, interconnected by flexible stems and light “grass,” that is, small twigs and leaves. The image seemed to be born from the shimmering depths, dissolving in it with transparent shadows and flashing with bright bouquets on the surface. The flowers, slightly “recessed” into the background, seemed light, semi-voluminous; these tactful angles and rotations of the corollas did not visually break through the plane of the object.

Zhostovo painting and its writing technique, as well as the painting of each tray itself, is original and unique, because it is performed without any samples. Behind the captivating lightness and unconstrained artistry of writing lies enormous skill, developed by generations of talented, formerly unknown peasant artists. Zhostovo artists paint with oil paints and soft squirrel brushes. While working, the artist holds the tray on his knee and turns it when necessary. And the hand with the brush rests on a wooden plank lying across the tray. The artist first only outlines the future painting, paints freely with quick and precise strokes. And even repeating the drawing, the master improvises and adds something new. Zhostovo painting begins with “painting”; using whitened paints, the general silhouette of the image and the location of the main spots are outlined. The painted trays are dried in ovens for several hours. Using the following techniques, “shading” and “laying”, the shapes of flowers and leaves are built; First, transparent shadows are applied, then the light areas of the painting are “paved” with dense bright colors. This is followed by “highlighting”, that is, applying whitening strokes that clarify all the volumes. The painting is completed with elegant graphics of “drawings” and “bindings”. The elastic lines of the “drawing” easily run along the contours of the petals and leaves, expressively emphasizing their rich painting by contrast. Small branches, not accidentally called “pegs,” soften the transition to the background. Each master uses these traditional techniques that have developed in the craft in his own way, creatively playing with the decorative possibilities of brush writing (for example, “highlight” can softly “fuse” with the “lining”, or can clearly stand out on it). As a result, endless variations of similar motifs and images appear, but literal copies or repetitions are never seen among them. So each tray is a unique work of art. Sometimes painting, also known as Zhostovo painting, glows with a special flickering light. This master used mother-of-pearl fragments in the painting, placing them directly on the tray. The means of art in Zhostovo are clearly expressive. He has his own art system, painting techniques and original style, formed from a fusion of ornamental folk paintings and realistic still life painting mastered by folk masters.

Zhostovo’s art is based on writing techniques developed over generations, without which his artistic mastery would have been impossible. It is born in the very process of a kind of painting-painting, combining strict consistency and precision of craft techniques with improvisational creativity.

The charm of Zhostovo art lies in the sincerity, spontaneity of its content and means of expression. It is democratic in all its manifestations; its perception does not require special knowledge or training. Garden and wildflowers - both real and those born from the artist’s imagination, collected in bouquets and spread out in wreaths and garlands - this theme finds a lively response in every person and awakens a sense of beauty.

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