What equipment can't an office do without? Twenty things that no trip is complete without. Things you need for traveling with a baby

Is giving a washing machine banal and unromantic? Not at all, if it's 1874 and none of your wife's friends have such a device. At the end of the nineteenth century there was something of an inventive boom, and there were a lot of designs for washing machines. One of the patents was registered in the United States by a certain William Blackstone from Indiana - he was producing machines for processing corn and designed a washing machine as a gift to his wife. By the time his brainchild was created with a wooden drum and manual drive (obviously, at the same time the machine successfully replaced his wife gym) several hundred patents for the invention of washing machines had already been filed in the States, but Blackstone managed to establish mass production of his invention. He moved to New York and opened a plant there for the production of washing machines, and until the invention of the electric washing machine in 1908, his model was in demand (although even after that - electric machines were expensive and did not soon go into mass production).

Washing machine with mechanical drive. The rollers at the top are used for spinning.

From spiritual food to the urgent needs of housewives

The desire to help his beloved wife inspired the famous Austrian designer Peter Mitterhofer, who lived and worked in the second half of the nineteenth century and is famous for his invention typewriter, to create a mechanical meat grinder: before this, a special curved two-handed knife was used to prepare minced meat and chopped cutlets. Before Mitterhofer, however, a rather primitive design of a meat grinder was already known, but the product of the Austrian inventor was more thoughtful.

Memorial plaque to Peterk Mitterhoffer. The world knows him as the inventor of the typewriter, not a word about the meat grinder, but in vain!

A woman appreciated her first vacuum cleaner

And it even bears her name, or rather, the name of her husband, William H. Hoover: he bought the patent thanks to his wife Susan, who believed in the potential of the invention, conducted the first tests at home and, in general, inspired her husband to improve the vacuum cleaner and establish mass production. It was like this: a certain Murray Spangler, a doorman from Canton, a small town in Ohio, suffered from asthma and wanted to find a solution to this problem. He assembled his first home vacuum cleaner (before that there were large devices that ran on steam and gasoline) from improvised means: a soap dish, a fan (motor and air blower), a silk pillowcase (he didn’t spare it for the dust bag) and a broom handle. Murray decided to get the opinion of his friend (according to other sources, a relative) Susan Hoover, who was married to a local businessman who produced and sold leather goods in Canton. She tested the prototype in her home for several days and was convinced that it worked. Susan told her husband about this, and Mr. Hoover was so inspired that he bought Spangler's patent and began making vacuum cleaners right in his shop, improving the materials and process along the way. A year later, in 1908, the Hoover Company was founded.

The evolution of the Hoover vacuum cleaner over the first 10 years of production

Happy woman - happy name

How easy it is to say in joy: “Oh, this is the best kitchen assistant!” In English, “kitchen assistant” is kitchen aid, and this is what the world’s most famous planetary mixers and kitchen machines have been called for almost a hundred years. The fact is that the first batch of mixers that came off the containers was given as a gift to the wives of the factory employees - it is clear that this was also for testing purposes. It was necessary to understand what women thought about the technical innovation of 1919. One of them was delighted with her husband’s gift and said exactly that very phrase. The question of the name was no longer raised; no one thought that the name of the now famous brand had been born.

YOU CAN HAVE THE GREATEST GRAPHICS IN THE WORLD, BUT IF THE COMPOSITION LEAVES MUCH TO BE DESIGNED, YOUR DESIGN FAILED.

Thus, it is obvious that the composition has great value. But what is composition? Roughly speaking, this is the space where individual elements must be transformed into a whole, and where images, text, graphics and colors are formed into a single design in which everything fits together.

A successful composition means that you have arranged the elements and distributed them correctly, and this not only looks beautiful in appearance, but is also effective from a functional point of view. So let's run through the essential tips, tricks, and techniques that will make you a composition guru in no time.

1. FOCUS ON THE IMPORTANT

As we were once told at school, accent distribution is very important. The key element of any good composition is focus, as it helps the viewer concentrate on the most important details of the design first.

Techniques for attracting attention include scale, contrast, and signage, which we'll discuss in more detail later. Now let's analyze the example given.
This is a design by Matthew Metz for Nordstrom, so the most important element here is the model and her clothing. Thus, the model was placed in the center, and the text placed in a special way and the lack of a color palette help to focus on her face and clothes. And then the pointers draw attention to the information below.

In Shauna Lynn Pantsuzhen's poster, the seated man is also the focus. Focus is achieved through the central placement of the photo, where graphics are used around the person to draw attention to him.

2. GUIDE THE READER'S EYES WITH DIRECTORS

Just as you would point someone to something you would like them to see, direct the viewer's eye with specific line placements and different shapes. This way you can achieve the correct perception of your design.

Most likely, you are already familiar with one of the most common types of signs - schematic ones. Diagrams use lines to direct the eye from one point to another in a fairly obvious order. Check out this date card from Paper and Parcel. The designer decided to use diagrammatic signs to convey information in an interactive and unusual way.

In addition, they can indicate some connecting elements of the text or small pieces of information. As already stated, you should focus on the main subject first; but where will you look after? By placing signage correctly, you will not only be able to control the focus on the main elements, but also guide your viewer's eye throughout the design.

Let's take a look at this poster from Design By Day, for example, which uses clear directional lines to first direct you to the main element (the title) and then to different segments of text.

Of course, it doesn't make sense to use such obvious pointers in every design, but that doesn't mean there's no other option. Find some shapes and lines in the images and graphic elements used and use them to give direction to the viewer's gaze.

This can be seen in the 1 Trick Pony poster, where the man's right hand is used to "direct" the gaze from the image to the logo, and then to the bottom of the image. In this way, image shapes can serve as signposts.

3. SCALE AND HIERARCHY

Scale and visual hierarchy are one of those creative fundamentals that can either ruin your design or make it look like eye candy. Therefore, it is so important to be able to use them correctly to create a successful composition.

In short, hierarchy is the structuring of elements in order of importance. So, you can make the more important object of your design larger and brighter, and the secondary elements smaller and paler.

It is especially important to consider hierarchy when writing text. For more detailed information on the issue of hierarchy in typography, you can refer to the article “Why Every Design Needs Three Levels of Typographic Hierarchy.”

Why Every Design Needs Three Levels of Typographic Hierarchy

Scale is often used to relate elements of a hierarchy. A large scale draws attention to certain objects, emphasizing their importance for proper communication.

For example, this poster design by Jessica Svendsen uses an enlarged image as the largest element to draw maximum attention to the subject. The headline is the largest text element, being the most important piece of information in a given context, while the rest of the text is written on a much smaller scale. In this way, scale identifies the main design objects and maintains typographic hierarchy.

Scale is also an incredibly useful tool when it comes to creating proportions and a sense of size. You can make some things seem extremely detailed, intricate and small, or you can make them look large and even bulky.

Take a look at Scott Hansen's poster, where he uses silhouettes of two people who seem very small compared to the vast space that surrounds them. This technique definitely helps to feel the grandeur and scale of this scene.

By creating contrast between small and large elements in a composition, you can achieve a wide variety of effects.

4. KEEP A BALANCE BETWEEN ELEMENTS

Balance is a pretty important thing in many ways. And, of course, your design is no exception.

But how can you maintain this balance within your own design? Let's quickly go over the two main types of balance and how to achieve it.

First, there is a symmetrical balance. Its essence is obvious - design balance is achieved through symmetry. By reflecting certain elements on both sides (right-left, top-bottom), you achieve absolute balance.

Here is an example of symmetrical balance. In her wedding invitation, Jennifer Wick uses a symmetrical composition where text and graphics are mirrored. Symmetry makes the invitation look elegant, neat and balanced.

The second type, which is probably much more common, is asymmetrical balance. Its name also speaks for itself - balance is achieved through an asymmetrical arrangement of elements.

Here is an example of the successful use of asymmetrical balance. In his poster, Munchy Potato purposefully distributed circles of different sizes across different areas of space, thus achieving asymmetry.

In the example above, the three center circles are the largest elements of the design, but they are nonetheless balanced through the right typeface, graphics, and the use of a small textured circle in the bottom corner of the poster.

To develop the skills of creating asymmetrical balance, you need to think of each element as a unit that has its own “weight”. Smaller objects, accordingly, should “weigh” less, and texture-rich elements should “weigh” more than homogeneous ones. Whatever the goal of your design, you must always achieve balance among the objects you use.

5. USE ELEMENTS THAT COMPLEMENT EACH OTHER

You must have heard of complementary colors, but have you heard of complementary design elements? One of the key elements of a successful and effective composition is a careful, targeted selection of each design object, in which everything should turn into a single whole.

A common mistake when creating a composition is using images that do not complement each other. Therefore, when you decide to use multiple images, always check whether they have the right impact on the viewer and whether there is a necessary connection between them. Here are a few ways to achieve this effect.

Use photos from the same photo shoot. This is incredible easy way make sure that the images are coherent, given that they are made in the same style and belong to the same direction. For example, designers Jekyll & Hyde and Elena Bonanomi use this technique in one of the spreads of Must magazine.

Images must be in the same color scheme. Nowadays, there is a wide range of different filters and photo editing tools that will help you make the selected images belong to the same color scheme, and therefore be interrelated. A is a Name made his poster completely black and white to create a color connection between the objects.

Choose similar photos. Try to combine images with similar parameters and style. For example, if one of the photographs is taken in a minimalist style, you need to use similar photographs. Below is a Feint design solution, where in all the selected images you can observe certain “irregularities” - various textures, woody motifs and cool shades.

Creating a good layout also involves the right combination of text and graphics, where these elements complement each other. Each font in a different environment has certain connotations and associations - for example, a crisp, cursive font with lots of swirls can be associated with elegance and sophistication. Therefore, try to select a font depending on your own goals and intent.

Take a look at Adam Hill's poster for "a celebration of the complicated relationship between tattoos and good old rock 'n' roll," where we see a mix of traditional vintage imagery with a bold italic title and body text also in bold and serif. A font that used thin, elegant sans-serif letters would hardly have suited the rough-hewn rock 'n' roll graphics, and probably wouldn't have the desired effect.

6. INCREASE (OR DECREASE) CONTRAST

Contrast is an incredibly useful tool, both for highlighting certain elements of your design and for hiding them. By enhancing contrast, or using a high-contrast palette, you can draw attention to a particular subject. At the same time, by reducing the contrast, you can achieve a transparent effect for some elements, making them less noticeable.

In the example above, Thebolt Julian uses high-contrast colors to frame and highlight central images, as well as bold font to draw attention to the key information. However, he also resorts to a lighter, thinner font that makes other elements secondary.

While the previous design uses a resonating color to attract attention, in the following example it serves to hide a certain element.

Melanie Scott Vincent's poster places a yellow paperclip on a yellow background, thereby keeping the contrast between the backdrop and the subject to a minimum. Normally, you would be advised not to do this, but here this technique only enhances the effect of the event’s name, “Every day we pass by.”

Thus, contrast can also be used both to “hide” certain design elements and to draw attention to them. So use this tool based on your goals and design wishes.

7. REPEAT DESIGN ELEMENTS

Repeat after me: “Repetition makes for successful composition.”

To maintain consistency and consistency in your layout, try to use specific elements from one section in other places. For example, you can use the same font or graphic motif several times. Try to use elements that flow from one section to another to give your design cohesion.

Element repetition is a key factor in multi-page layouts. This technique allows pages to flow from one to another, creating a parallel connection between them.

As an example, consider the magazine designs developed by Mauro De Donatis and Elizaveta Ukhabina. Here the composition of each spread is the same, the only difference is in the content, color design and images used. Repeating the composition allows readers to get used to the format and process information faster.

In addition, repetition can also become key factor when developing a composition for just one page. By reusing graphic elements, you can maintain cohesion in your design.

Some font styles, graphics, and linearity are repeated here to help tie elements together and achieve the desired effect. If the author of the design suddenly decided to use some pink drawing elements with bold lines somewhere in the middle, there would be no question of any coherence. But she decided to use a small size for the text and minimized color scheme and kept the graphic elements elegantly simple, so the design came out well.

When developing a design, write down all the information about the fonts, lines, colors, etc. used, and try to reuse them to unify your layout into a cohesive whole.

8. DON'T FORGET WHITE SPACE

To offend white space, it is enough to call it “empty space.” The void assumes that it needs to be filled with something, and therefore it does not “do its job” properly. But it's not the same thing.

When white space is used purposefully, it helps enhance the definition and clarity of your design: when the busier, more intricate parts of a composition are balanced by white space, your design begins to breathe.

For example, take a look at the design done by Cocorrina. White space helps achieve a balance between image, texture and text, which gives the design a sophisticated, clean look.

So what's the best way to use white space?

Reduce the scale of graphic elements. This allows you to create more white space around your centerpieces without going overboard with your original design. For clarity, take a look at this recipe card design from Serafini Creative, where the main elements are purposefully scaled down to create a beautiful frame of white space.

Don't try to fill all the white space. As already said, white space is not empty space, it serves a purpose, so don't try to fill every bit of it.

An example of this is a website design from Creative Web Themes that uses a single image, a bold headline, two small lines of text, and a link to further information to present a product. Thanks to this simple plan and plenty of white space, each element has its own territory and can “breathe,” which allows the design to look neat and have the desired effect on the viewer.

When creating a design, always ask yourself if all elements are 100% necessary. Is all that text necessary, is a bright blue headline necessary, are all 3 images necessary? By removing extra bits from your layout, you can create a more precise design that benefits from white space.

9. ARRANGE DESIGN ELEMENTS

When creating a composition that includes many objects, you should not place them chaotically on the page, because arranging elements is a quick and easy way to turn your design into eye candy.

Check out this perfectly formed magazine design created by Huck. Thanks to the clear construction of elements, the design looks distinct and precise, it is very easy to read and aesthetically pleasing.

Consistent and clear alignment of elements will also help you build certain order among many objects. So if you use large number images, text and/or graphical elements, alignment should be your best friend.

The ability to use alignment is especially important when working with text. There are many ways to do this, but one of the best is left alignment, as for most viewers this option is the most convenient for reading and comprehension.

10. DIVIDE YOUR DESIGN INTO THIRDERS

The Rule of Thirds is a simple method that designers can use to divide a layout into 9 equal parts. Where the vertical and horizontal lines intersect are the focus points.

Designer William Beachy decided to play with this rule in his works (example below). Its design looks impressive and attracts attention due to the fact that at each intersection there is a specific focal point. Beachy also notes that "When you place objects not at the center of the design, but at its periphery, the picture becomes vibrant and interesting."

Using the rule of thirds will help improve the composition of your design, as it is one of the fastest and most simple ways placement and structuring of elements.

Take a look at Gajan Wamatewa's design for National Geographic and think about how the one-third rule applies here. You'll most likely notice that the lines (if there were any) would intersect at the focal point of each of the images: the two travelers in the first image, and big bird- on the second. Lines would also intersect across text frames, drawing attention to the text and prompting further information to be read.

If, after working on a design for many hours, you finally find it effective, try to mentally break it down into parts and see the underlying structure. Is there a division into thirds? Or is it built on a different markup? Anyway, you can view various examples markups and draw inspiration from them.

ADDRESS TO THE READER

When creating a composition, you should pay attention to many things. If you're a new designer, you'll likely have to put a lot of effort and time into trying to organize and resize objects, then re-label them again, etc., but that's okay.

Do you have any tricks for working with composition? Or perhaps you know of some examples of designs with highly effective composition? In any case, feel free to share your thoughts and ideas on this matter in the comments

Composition, rules of composition.

With each trip, less and less time is required to get ready. I learned to clearly calculate the amount of luggage for each trip, so as not to overload my suitcase with things. When flying to Siberia, I packed my suitcase exactly five minutes, an hour before departure.

My backpack is the complete opposite. It is almost always assembled, and looks like a Wasserman vest. It has absolutely everything I might need on a trip, with the exception of clothes. The backpack is heavy, weighs fifteen kilograms, and half of the things from there can simply be pulled out, but who knows when I will need them?

Before this trip I decided to try to lighten the heavy burden. I unloaded everything from the backpack, laid it out neatly on the floor... and put everything back. It will come in handy!

Want to take a look inside a travel blogger's backpack?

1. Laptop MacBook Pro 13’’ Retina Late 2013. It is no coincidence that the computer was number one. To some extent, it is even more important than cameras. Are there still Internet-active people who don’t have a personal laptop?

2. Canon camera 5D Mark III with Canon 17-40 mm lens. Main camera. Most of the photographs in this magazine were taken with her. She costs God knows how many thousands of rubles, but she earns every penny. Honestly, this is the best camera I've ever owned. Almost an extension of my hands.

3. Canon 7D camera and Canon lens 70-200 mm. The large “pipe” is called a “telephoto”. The lens is excellent at shooting distances, while the 17-40 is a “wide-angle” that specializes in close-up objects. I carry two large cameras for a reason, they give me the opportunity to take a picture almost immediately, the very second I see something unusual or someone colorful. The readiness speed is minimal, both cameras shoot in a “queue”. I started thinking about giving up these burdens and switching to “compacts” - mirrorless cameras interchangeable lenses, but they only shoot well outdoors, during the day and in sunny weather. I took a couple to test, I'm exploring the possibilities, but it seems like I'm stuck with my two heavy cameras.

4. BlackRapid Shoulder Strap, on which the cameras are held. This is a brilliant system, I don’t know how I could have managed without it. One camera pulled back the neck, the other - the shoulder. Now everything is balanced, and most importantly, nothing needs to be supported or adjusted, the cameras “dangle” freely, but are securely fastened, you can even run with them!

5. Documents. In my backpack I always have foreign and Russian passports, as well as an international driver’s license, which I have never needed in my life.

6. American Eagle wallet. A leather wallet bought in a clothing store during my first trip to the USA. Absolutely nothing special, cost $20. Now it's all worn out, but I haven't found anything better. Previously, I didn’t carry wallets at all, my license and cards were in the same place as my passport, and the money was in my pocket.

7. iPhone 5 & iPhone 5s Two mobile phones. At home I only use one, but when I travel I have to carry a second one with me. It contains an international SIM card. Previously, I also had a third phone with me (!). It looked like this: one with an international SIM card for calls, another with a SIM card for the country of travel for the Internet, the third Moscow, which is always on. GoodLine, with its “one gigabyte of Internet per month for $100” tariff, solved this problem.

8. CAT diet. Who doesn’t know yet, now I’m losing weight, I’m on a diet. My diet is different from my diet ordinary person, but it gives results. The bags contain special proteins dressed up in the semblance of familiar food: cocoa drinks, yoghurts and even omelettes that need to be fried. But this is chemistry, of course. I laugh it off, calling it astronaut food.

9. Tee “Era”. For some reason I even remembered its price, 72 rubles. Purchased from Auchan as a means of combating the small number of sockets in hotel rooms. It helped out more than once, but began to fail: in Germany and France, sockets with grounding, that is, with a third pin, this one does not fit there. I'm looking for a replacement.

10. Business cards by Julia Loris. It’s time to reveal the secret: a famous aviation blogger has been making business cards for me for many years relax_action , who was closely involved in design before becoming interested in airplanes. About a couple of times a year, I run out of business cards, and I call Yulia because again I need to make some changes or even change the layout. Soon there will be changes again, you need to add a new international number and change the background.

11. iPad Mini 32 gb in Thule case. The iPad is only the third device for me, after the phone and laptop. In Moscow I hardly use it, but when traveling independently it becomes an indispensable assistant. There in electronic form the trip route is stored with all the details, data on booking planes and hotels, and most importantly, navigation programs, maps with all the “drive-in” points. Traveling life without a tablet is completely impossible!

12. Western Digital external drive & box with SIM cards. I rarely use an external drive, as a rule, if I run out of space on my computer’s disk, in order to temporarily dump footage of past trips there that have not yet been transferred to a full-fledged archive. And SIM cards are a relic of the past, there are about ten cards different countries, purchased at one time for the Internet. The collection is not being replenished; the old ones are gradually reaching their expiration date.

13. A bunch of keys. Well, what did you think? Even such an old tramp has a place to return to. Any journey begins and ends only when I use these keys.

14. Stapler for SIM cards, purchased on eBay. Allows you to turn an ordinary huge SIM card, for which phones are no longer produced, into a micro or nano size card. You can also post it, actually. Firstly, I don’t buy SIM cards anymore, and secondly, almost all the world’s operators have either ready-made ones for the size of the card or the same staplers.

15.Camera Canon Powershot N. The third chamber is a reserve and NZ. If the batteries in two main cameras run out at the same time, both cell phones turn off, or you just need to be as inconspicuous as possible, I take this camera. It seems to be an unnecessary burden, but I needed it a couple of times.

16. Blindfold. This simple device helps me fall asleep when others don’t want to sleep and indulge in aviation gluttony or turn on the lights.

17. Different cables and chargers. As you can see, I have a lot of this stuff. In addition to standard chargers for laptops and phones, there is an adapter for connecting to the network via a wire (new MacBooks do not have a built-in port), a splitter for three charges (microUSB, miniUSB, for older iPhones), a cable for remotely releasing the camera shutter, a splitter for two pairs of headphones.

18. Earplugs. So far they have never come in handy, I use headphones, but I believe that the moment may come when I will put them in my ears.

19. Mint caramels. I once bought a pack of candy, I don’t even remember in which country, and put it in the compartment of my backpack. They fell apart and I'm still fishing out the candy. Sometimes it comes in handy.

20. Medicines. The mini-first aid kit contains three medications: citramon for headaches, some tablets for sore throats and ACC fizzy drink.

The description also does not include a computer mouse, an adapter for all types of sockets in the world, a charger for the camera and Sony wireless headphones. But these are minor things.

And yes, how do you like the format of the post? Is it worth doing something else in a similar vein?

Experienced travelers don’t even think about what to take with them before the trip - packing their suitcases has long been perfected to the point of automaticity, and if you wake them up in the middle of the night and ask what things you need to take with you, they will answer this question without the slightest hesitation. But what should beginners do? This article contains a list of things without which travel is impossible, or it will not be as favorable.

Some experienced travelers even advise making tables in Excel, but in reality, ordinary notes on your phone or, the old-fashioned way, a sheet of paper will do. So, what are the most necessary things?

Money and documents

If a trip can take place without clothes, a phone, food, chargers and other paraphernalia, even if it’s not the most pleasant one, it’s definitely not possible to travel further than the city without documents. The best option would be to put them in a separate small handbag or backpack so that you always have them with you and, if necessary, do not dig through your suitcase for an hour and a half.

• passports
• International passports and medical insurance (if traveling abroad)
• air tickets
• birth certificates (if traveling with children)
• bank cards or paper bills

Technique

Not only that in modern world If you are without equipment for a long time, it becomes uncomfortable, but when traveling these are definitely essentials.

In the event of an incident, you should always be able to contact relatives, and, in addition, your gadgets must have maps of the city you are visiting. Before leaving, all equipment must be charged and the memory, if possible, cleared.

• mobile phone
• camera/video camera
• navigator (when traveling by car)
• laptop/tablet (if needed)
• chargers for all gadgets

Medicines

Often you can feel unwell from unusual food, climate change or simple sunstroke, but it is not always possible to go to the hospital. For chronic diseases, medications for travel must be prescribed by the attending physician.

• headache medications
• for indigestion
• plasters
• painkiller

Personal hygiene items

• comb
• razor and shaving products
• toothbrush and toothpaste
• deodorant
• wet wipes and cotton swabs
• sanitary pads (women)

Things you need for traveling with a baby

Young children require special care, and traveling is no exception. You need to be very careful when packing your child for the trip.

• children's first aid kit
• spare set of clothes
• baby food
• diapers
• baby soap, paste and cream

If all your things are folded into suitcases, and documents with tickets are in hand, then the trip promises to be easy and comfortable! The main thing is to take minimal precautions and enjoy what is happening.

Summer is a great time for travel, relaxation and courage. Most of the trips with friends that we tell our loved ones about take place in the summer. No, of course, New Year’s trips to Dragobrat are also interesting. But they can’t compare with a trip to the seaside or just to someone’s dacha.

Of course, we want each of our trips to be like “Eurotrip” or “The Bachelor Party in Vegas,” but most often we end up with “Sportloto-82” or the moment when Jay and Silent Bob got on the bus with the heroes of “Scooby-Doo.”

To avoid confusion, we decided to describe the role of each participant in the group trip.

Driver

Most likely, if you are going somewhere with friends, then you should have a driver with you. Although this is not certain. This person does not drink (I would like to believe this), and in return he can choose tracks (switch songs like a lackey when they shout about it from the salon). Sometimes he has cool glasses, and it is even possible to use the optical “anti-headlight” function.
The driver is the most sensible participant on the trip and has the power to decide at which gas station the group will eat hot dogs.

Anti-cosmonaut

A man who tearfully asks to sit in the front seat because he gets carsick. He dismisses all your Googled advice on how to prevent nausea. Let him just sit in front.

Also, do not attribute the passenger’s poor condition to the incredible amount of alcohol he drank yesterday. This has nothing to do with it.

Connoisseur

This is a driver without a license, decide for yourself which one. This man knows how many kilometers from Uman to Gornostaevka, knows how to drive a car, knows how to drive economically. The only pity is that NOBODY ASKED HIM!
The connoisseur will come in handy on the road if you bought a “Scanword Fair” at a gas station or want the beer in your trunk to stay cold for as long as possible.

Photographer

This person has the phone with the most memory. It photographs landscapes at 13 frames per second. During stops “at the bushes”, where boys go to the left and girls to the right, this passenger will take 17 photos ladybug on the side of the road. But he may grimace with displeasure if you ask him to do it. group photo. The photographer also gets very angry if there is poor internet on the road and he can’t post that amazing photo of the blue sky.

Hamster

Yuri Kaplan has already sung enough about this man in the composition “He Always Eats Something” by the Valentin Strykalo ensemble. Such a passenger at a gas station asks in advance when the next stop will be in order to figure out how much food is needed for this section of the road. There are a lot of chips, crumbs and sugary water under it, on it and in it.

DJ Cucumber

A happy owner of a portable speaker who can nobly offer to play his music “on the speaker so as not to distract the driver.” In fact, this is a lie. He's just waiting to cut through the silence of the road with his favorite hits. He can scream: “Look, Kuchma is in light green shorts,” and while everyone is looking out the window, he will quietly connect to the aux of the radio.

The DJ knows the musical preferences of each passenger very well. And as soon as someone suggests changing the DJ, he will play a track to charm the protester. But this is just a sop to maintain his musical power. From The Prodigy to “Spleen”, from Max Barskikh to Nick Cave - this passenger has already downloaded all the songs in the world to his gadget. Even “Sauna-steam room” by MS Pokha.

Compass

This person monitors the map and the direction of transport. But this does not mean at all that this passenger would beat everyone else in orienteering. Often it’s just the opposite - a person decides to sharpen his meager knowledge of topography when the route of many people depends on him.

Nerd

This man was put on this planet to make our trips less adventurous. He is against travel companions, rural roads and the idea of ​​spending the night in a tent. It will also squeeze into the seat when you do drive through a village with open windows and sing “Ale vin checks on her” for everyone you meet along the way. Don’t forget: if you decide to open the windows, then immediately think about the arguments in an argument with a bore.

Orderly

Such a person will go to the toilet at every gas station, but will still ask to stop “by the bushes.” But this person has wet wipes, dry wipes, wet baby wipes, dry wipes that were wet, and wipes from McDonald's.

sleeping Beauty

Such a passenger cannot be awakened by a horn, an ear lick, or a shotgun blast to the knee. He is having a heroic dream. It would also be worth noting the unnatural positions in which your friend falls asleep. And make sure he doesn’t fall asleep with food in his mouth (there have been precedents).